Musical Partners: Kieran Welch and Allison Wright

Musical Partners: Kieran Welch and Allison Wright

On the power of collaboration and the meaning behind ‘post-genre’.

Musical Partners: Kieran Welch and Allison Wright

On the power of collaboration and the meaning behind ‘post-genre’.

by Allison Wright
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My Rehearsal Room: Nikki Edgar

My Rehearsal Room: Nikki Edgar

Violist Clare Gorton chats with composer Nikki Edgar about graphic scores, improvisation and owning your creativity. 

My Rehearsal Room: Nikki Edgar

Violist Clare Gorton chats with composer Nikki Edgar about graphic scores, improvisation and owning your creativity. 

by Nikki Edgar
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My Rehearsal Room: Max Riebl

My Rehearsal Room: Max Riebl

On the importance of preparing well and trusting your voice. 

My Rehearsal Room: Max Riebl

On the importance of preparing well and trusting your voice. 

by Max Riebl
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Our Rehearsal Room: Ossicle Duo

Our Rehearsal Room: Ossicle Duo

On the importance of friendship in music making. 

Our Rehearsal Room: Ossicle Duo

On the importance of friendship in music making. 

by Ossicle Duo
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My Rehearsal Room: Hugh Harvey

My Rehearsal Room: Hugh Harvey

Reflections and insights on the Adam Simmons Creative Music Ensemble

My Rehearsal Room: Hugh Harvey

Reflections and insights on the Adam Simmons Creative Music Ensemble

by Hugh Harvey
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Musical Partners: Fia Fiell and Zela Papageorgiou

Musical Partners: Fia Fiell and Zela Papageorgiou

Fia Fiell (AKA Carolyn Schofield) and Zela Papageorgiou catch up for a chat about their Melbourne Music Week performance. 

Musical Partners: Fia Fiell and Zela Papageorgiou

Fia Fiell (AKA Carolyn Schofield) and Zela Papageorgiou catch up for a chat about their Melbourne Music Week performance. 

My Rehearsal Room: Jordan Auld

My Rehearsal Room: Jordan Auld

From backstage at Cordelia Potted Opera's Suor Angelica.

My Rehearsal Room: Jordan Auld

From backstage at Cordelia Potted Opera's Suor Angelica.

by Jordan Auld
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My Rehearsal Room: Vanessa Scammell

My Rehearsal Room: Vanessa Scammell

A day in the life of the conductor leading Opera Australia's The Merry Widow. 

My Rehearsal Room: Vanessa Scammell

A day in the life of the conductor leading Opera Australia's The Merry Widow. 

by Vanessa Scammell
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My Rehearsal Room: Anna Martin-Scrase

My Rehearsal Room: Anna Martin-Scrase

On programming and rehearsing with the Acacia Quartet,

My Rehearsal Room: Anna Martin-Scrase

On programming and rehearsing with the Acacia Quartet,

by Anna Martin-Scrase
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My Rehearsal Room: Chelsea Kluga

My Rehearsal Room: Chelsea Kluga

Behind the scenes of WAO's Lucia di Lammermoor. 

My Rehearsal Room: Chelsea Kluga

Behind the scenes of WAO's Lucia di Lammermoor. 

by Chelsea Kluga
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My Rehearsal Room: Lucy Kong

My Rehearsal Room: Lucy Kong

Creating an unexpected career as a J-Pop composer. 

My Rehearsal Room: Lucy Kong

Creating an unexpected career as a J-Pop composer. 

by Lucy Kong
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My Rehearsal Room: Jules Pascoe

My Rehearsal Room: Jules Pascoe

Creating musical numbers based on a favourite modernist play.

My Rehearsal Room: Jules Pascoe

Creating musical numbers based on a favourite modernist play.

by Jules Pascoe
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Our Rehearsal Room: Callisto Quartet

Our Rehearsal Room: Callisto Quartet

Making it work as a string quartet, setting short and long term goals and keeping the "honeymoon period" alive. 

Our Rehearsal Room: Callisto Quartet

Making it work as a string quartet, setting short and long term goals and keeping the "honeymoon period" alive. 

by Hannah Moses
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Getting There: Madi Chwasta

Getting There: Madi Chwasta

To all the classical music institutions I've ever loved.

Getting There: Madi Chwasta

To all the classical music institutions I've ever loved.

by Madi Chwasta
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My Rehearsal Room: Victoria Pham

My Rehearsal Room: Victoria Pham

Sonant Bodies: Collaboration and Experimental Music.

My Rehearsal Room: Victoria Pham

Sonant Bodies: Collaboration and Experimental Music.

by Victoria Pham
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My Rehearsal Room: Nina Marsh

My Rehearsal Room: Nina Marsh

Looking after your mental health in the performing arts industry.

My Rehearsal Room: Nina Marsh

Looking after your mental health in the performing arts industry.

by Nina Marsh
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My Rehearsal Room: Michael Brooks Reid

My Rehearsal Room: Michael Brooks Reid

On returning to perform with Melbourne Youth Orchestras.

My Rehearsal Room: Michael Brooks Reid

On returning to perform with Melbourne Youth Orchestras.

by Michael Brooks Reid
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My Rehearsal Room: Bart Aerbeydt

My Rehearsal Room: Bart Aerbeydt

On the natural horn, creating chamber music and having a voice in rehearsal. 

My Rehearsal Room: Bart Aerbeydt

On the natural horn, creating chamber music and having a voice in rehearsal. 

by Bart Aerbydt
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My Rehearsal Room: Lyndon Green

My Rehearsal Room: Lyndon Green

An update from Songmakers Australia's inaugural Young Songmaker.  

My Rehearsal Room: Lyndon Green

An update from Songmakers Australia's inaugural Young Songmaker.  

by Lyndon Green
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My Rehearsal Room: Tamara Kohler

My Rehearsal Room: Tamara Kohler

Applications for Rubiks Ensemble's Pythia Prize are now open. 

My Rehearsal Room: Tamara Kohler

Applications for Rubiks Ensemble's Pythia Prize are now open. 

by Tamara Kohler
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My Rehearsal Room: Samuel Dunscombe

My Rehearsal Room: Samuel Dunscombe

On composing for 49 clarinets and getting involved in exploratory music. 

My Rehearsal Room: Samuel Dunscombe

On composing for 49 clarinets and getting involved in exploratory music. 

by Samuel Dunscombe
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My Rehearsal Room: Carmen Robertson

My Rehearsal Room: Carmen Robertson

On why you shouldn't let hearing loss stop you from becoming a professional musician.

My Rehearsal Room: Carmen Robertson

On why you shouldn't let hearing loss stop you from becoming a professional musician.

by Carmen Robertson
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My Rehearsal Room: Cameron Lam

My Rehearsal Room: Cameron Lam

On finding time to be creative and working out what being a composer really means. 

My Rehearsal Room: Cameron Lam

On finding time to be creative and working out what being a composer really means. 

by Cameron Lam
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Our Rehearsal Room: Taimana Ensemble

Our Rehearsal Room: Taimana Ensemble

On the joys (and challenges) of the mixed ensemble and getting audience members to stick around for the unknown composers on the program.

Our Rehearsal Room: Taimana Ensemble

On the joys (and challenges) of the mixed ensemble and getting audience members to stick around for the unknown composers on the program.

by Taimana Ensemble
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My Rehearsal Room: Connor D'Netto

My Rehearsal Room: Connor D'Netto

Our video blog series, direct from Bang on a Can. 

My Rehearsal Room: Connor D'Netto

Our video blog series, direct from Bang on a Can. 

by Connor D'Netto
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Our Rehearsal Room: Mandy Farmer

Our Rehearsal Room: Mandy Farmer

A view of rehearsal from the Production Manager of WAO's The Merry Widow.

Our Rehearsal Room: Mandy Farmer

A view of rehearsal from the Production Manager of WAO's The Merry Widow.

by Mandy Farmer
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Our Rehearsal Room: Elysian Fields

Our Rehearsal Room: Elysian Fields

A VIVID photo diary from Jenny Eriksson and Elysian Fields. 

Our Rehearsal Room: Elysian Fields

A VIVID photo diary from Jenny Eriksson and Elysian Fields. 

by Jenny Eriksson
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Project Check-In: The First Steps

Project Check-In: The First Steps

Over the next two months, composer Catherine Likhuta will talk us through her creative process. First up? Getting the project started. 

Project Check-In: The First Steps

Over the next two months, composer Catherine Likhuta will talk us through her creative process. First up? Getting the project started. 

by Catherine Likhuta
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St Georges' Series: Ensemble Goldentree

St Georges' Series: Ensemble Goldentree

Performing chamber music with your partner? It's possible. 

St Georges' Series: Ensemble Goldentree

Performing chamber music with your partner? It's possible. 

Creating Kammervolk: Allison Wright

Creating Kammervolk: Allison Wright

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 

Creating Kammervolk: Allison Wright

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 

by Kammervolk
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Creating Kammervolk: Mark Romei

Creating Kammervolk: Mark Romei

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 


     

Creating Kammervolk: Mark Romei

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 


     
by Kammervolk
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Creating Kammervolk: Clare Gorton

Creating Kammervolk: Clare Gorton

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 

Creating Kammervolk: Clare Gorton

How do you build a show? We asked three key players from Kammervolk Collective to walk us through it. 

by Kammervolk
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My Rehearsal Room: Lewis Ingham

My Rehearsal Room: Lewis Ingham

The ups and downs of putting on your first concert. 

My Rehearsal Room: Lewis Ingham

The ups and downs of putting on your first concert. 

by Lewis Ingham
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My Rehearsal Room: Tabatha McFadyen

My Rehearsal Room: Tabatha McFadyen

On collaborations, marketing and looking after yourself in "Competition Land". 

My Rehearsal Room: Tabatha McFadyen

On collaborations, marketing and looking after yourself in "Competition Land". 

by Tabatha McFadyen
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Our Rehearsal Room: OurEyes Collective

Our Rehearsal Room: OurEyes Collective

Composer Benjamin Heim on the possibilities of live streaming, and being okay with throwing out ideas and starting again. 

Our Rehearsal Room: OurEyes Collective

Composer Benjamin Heim on the possibilities of live streaming, and being okay with throwing out ideas and starting again. 

by Benjamin Heim
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My Rehearsal Room: John Keene and ensemble nouveau

My Rehearsal Room: John Keene and ensemble nouveau

On creating a new ensemble and making opportunities for young musicians and composers. 

My Rehearsal Room: John Keene and ensemble nouveau

On creating a new ensemble and making opportunities for young musicians and composers. 

by Will Hansen
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My Orchestra Project: Isaac Shieh

My Orchestra Project: Isaac Shieh

On the joy of creating music from within an orchestra. 

My Orchestra Project: Isaac Shieh

On the joy of creating music from within an orchestra. 

by Isaac Shieh
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Our Orchestra Project: Fabian Russell

Our Orchestra Project: Fabian Russell

On Mahler, mentoring and being more than just a performer. 

Our Orchestra Project: Fabian Russell

On Mahler, mentoring and being more than just a performer. 

by Fabian Russell
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Our Orchestra Project: Eliza Sdraulig

Our Orchestra Project: Eliza Sdraulig

Community spirit and career development, from the cello section. 

Our Orchestra Project: Eliza Sdraulig

Community spirit and career development, from the cello section. 

by Eliza Sdraulig
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Our Rehearsal Room: Ziggy and Miles Johnston

Our Rehearsal Room: Ziggy and Miles Johnston

The guitarist brothers on playing together, how they program and remembering to have fun. 

Our Rehearsal Room: Ziggy and Miles Johnston

The guitarist brothers on playing together, how they program and remembering to have fun. 

Our Creative Process: Ensemble SIX-FOUR

Our Creative Process: Ensemble SIX-FOUR

On listening, pushing the boundaries, and finding new ways of being creative. 

Our Creative Process: Ensemble SIX-FOUR

On listening, pushing the boundaries, and finding new ways of being creative. 

by SIX-FOUR
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Our Creative Process: Dots+Loops

Our Creative Process: Dots+Loops

Dots+Loops' founder Kieran Welch on fundraising, curation and learning to roll with the punches. 

Our Creative Process: Dots+Loops

Dots+Loops' founder Kieran Welch on fundraising, curation and learning to roll with the punches. 

by Kieran Welch
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My Rehearsal Room: Kit Millais

My Rehearsal Room: Kit Millais

Doing stuff you want to do and getting it done.

My Rehearsal Room: Kit Millais

Doing stuff you want to do and getting it done.

by Kit Millais
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St Georges' Concert Series: Corey Snoek

St Georges' Concert Series: Corey Snoek

The roots, loss and revival of Australian fiddle music.

St Georges' Concert Series: Corey Snoek

The roots, loss and revival of Australian fiddle music.

by Corey Snoek
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My Rehearsal Room: Lauren Sibree

My Rehearsal Room: Lauren Sibree

On realising a performer’s career is not for you. 

My Rehearsal Room: Lauren Sibree

On realising a performer’s career is not for you. 

by Lauren Sibree
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My Rehearsal Room: Nicole Ng

My Rehearsal Room: Nicole Ng

Getting motivated when the last thing you want to do is practise! 

My Rehearsal Room: Nicole Ng

Getting motivated when the last thing you want to do is practise! 

by Nicole Ng
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My Rehearsal Room: Yunjia Liu

My Rehearsal Room: Yunjia Liu

The joys of commissioning and performing new works, and the importance of sharing through music. 

My Rehearsal Room: Yunjia Liu

The joys of commissioning and performing new works, and the importance of sharing through music. 

by Yunjia Liu
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Our Creative Process: Blanke Knochen Opera

Our Creative Process: Blanke Knochen Opera

Assistant editor Hannah Spracklan-Holl talks to Kate and James from BK Opera about their exciting new production of Carmen. 

Our Creative Process: Blanke Knochen Opera

Assistant editor Hannah Spracklan-Holl talks to Kate and James from BK Opera about their exciting new production of Carmen. 

by Hannah Spracklan-Holl
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Macedon Music Spotlight: May Lyon

Macedon Music Spotlight: May Lyon

Part four in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

    Macedon Music Spotlight: May Lyon

    Part four in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      by Syzygy Ensemble
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      Macedon Music Spotlight: Harry Sdraulig

      Macedon Music Spotlight: Harry Sdraulig

      Part three in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      Macedon Music Spotlight: Harry Sdraulig

      Part three in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      by Syzygy Ensemble
      /
      Macedon Music Spotlight: Lisa Cheney

      Macedon Music Spotlight: Lisa Cheney

      Part two in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      Macedon Music Spotlight: Lisa Cheney

      Part two in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      by Syzygy Ensemble
      /
      Macedon Music Spotlight: Andrew Aronowicz

      Macedon Music Spotlight: Andrew Aronowicz

      Part one in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      Macedon Music Spotlight: Andrew Aronowicz

      Part one in our spotlight on the four young composers commissioned by Macedon Music to write a trio, performed by Syzygy Ensemble. 

      by Syzygy Ensemble
      /
      Our Creative Process: Ensemble Goldentree [Part III]

      Our Creative Process: Ensemble Goldentree [Part III]

      Wrapping up the week at the Australian Festival of Chamber Music Winterschool. 

      Our Creative Process: Ensemble Goldentree [Part III]

      Wrapping up the week at the Australian Festival of Chamber Music Winterschool. 

      by Ensemble Goldentree
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      My Rehearsal Room: Clare Johnston

      My Rehearsal Room: Clare Johnston

      The Trials and Triumphs of Being a Female Composer.

      My Rehearsal Room: Clare Johnston

      The Trials and Triumphs of Being a Female Composer.

      by Clare Johnston
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      Our Creative Process: Ensemble Goldentree [Part II]

      Our Creative Process: Ensemble Goldentree [Part II]

      On the moment when things begin to click. 

      Our Creative Process: Ensemble Goldentree [Part II]

      On the moment when things begin to click. 

      by Ensemble Goldentree
      /
      Our Creative Process: Ensemble Goldentree [Part I]

      Our Creative Process: Ensemble Goldentree [Part I]

      On the logisitics of being an "unusual ensemble". 

      Our Creative Process: Ensemble Goldentree [Part I]

      On the logisitics of being an "unusual ensemble". 

      by Ensemble Goldentree
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      Our Creative Process: Rubiks Collective [Part IV]

      Our Creative Process: Rubiks Collective [Part IV]

      The final instalment of Rubiks Collective's creative process. 

      Our Creative Process: Rubiks Collective [Part IV]

      The final instalment of Rubiks Collective's creative process. 

      by Rehearsal Magazine
      /
      Our Creative Process: Rubiks Collective [Part III]

      Our Creative Process: Rubiks Collective [Part III]

      Concert promotion, and last minute rehearsals.

      Our Creative Process: Rubiks Collective [Part III]

      Concert promotion, and last minute rehearsals.

      by Rubiks Collective
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      Our Creative Process: Rubiks Collective [Part I]

      Our Creative Process: Rubiks Collective [Part I]

      In this series, Rubiks Collective take us through their process of preparing for, and putting on a concert.

      Our Creative Process: Rubiks Collective [Part I]

      In this series, Rubiks Collective take us through their process of preparing for, and putting on a concert.

      by Rubiks Collective
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      My Rehearsal Room: Edwin Kwong

      My Rehearsal Room: Edwin Kwong

      Organists are kind of like the middle children of the musical world.

      My Rehearsal Room: Edwin Kwong

      Organists are kind of like the middle children of the musical world.

      by Edwin Kwong
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      My Creative Process: Inti Logan Figgis-Vizueta

      My Creative Process: Inti Logan Figgis-Vizueta

      Trying to sight sing and conduct when you've just started studying music sucks.

      My Creative Process: Inti Logan Figgis-Vizueta

      Trying to sight sing and conduct when you've just started studying music sucks.

      by Inti Logan Figgis-Vizueta
      /
      My Rehearsal Room: Madi Chwasta

      My Rehearsal Room: Madi Chwasta

      Using your emotions to help you, rather than hinder you on your musical journey. 

      My Rehearsal Room: Madi Chwasta

      Using your emotions to help you, rather than hinder you on your musical journey. 

      by Madi Chwasta
      /
      My Rehearsal Room: Mark Sadka

      My Rehearsal Room: Mark Sadka

      Understanding your own working habits to help you practice better. 

      My Rehearsal Room: Mark Sadka

      Understanding your own working habits to help you practice better. 

      by Mark Sadka
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